View full screen - View 1 of Lot 829. A pair of small abstract pottery ram and ewe, Qijia culture, 2050-1700 B.C. 齊家文化 公母羊陶器一對.

Property from the Ronald W. Longsdorf Collection | Ronald W. Longsdorf 收藏

A pair of small abstract pottery ram and ewe, Qijia culture, 2050-1700 B.C. 齊家文化 公母羊陶器一對

Auction Closed

November 25, 03:34 AM GMT

Estimate

150,000 - 200,000 HKD

Lot Details

Description

Property from the Ronald W. Longsdorf Collection

A pair of small abstract pottery ram and ewe,

Qijia culture, 2050-1700 B.C.

Ronald W. Longsdorf 收藏

齊家文化 公母羊陶器一對


ram l. 16.5 cm; ewe l. 15.5 cm

Ronald W. Longsdorf, The Pottery Age: An Appreciation of Neolithic Ceramics from China, Circa 7000 BC - Circa 1000 BC, Hong Kong, 2020, pls 78 and 79.


Ronald W. Longsdorf, 《陶誌:中國新石器時代陶器 約西元前7000年 – 前1000年》,香港,2020年,圖版78及79

The pair of thinly potted vessels, which, at first glance, appear to depict a ram and a ewe, are in fact far from purely representational. Each modelled with an almost bird-like body supported on four sturdy legs, the vessels encapsulate not only the potter's ability to skilfully and seamlessly combine the body of one creature with the head of another but also the superb imagination of the Qijia culture.


See, for example, another pair of pottery animal-shaped vessels, illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, vol. 3, 2006, pl. 10, where one vessel is depicted with the head of a bird and the other with a head detailed with ears and a long nose.


The practice of combining various elements of an animal with another began in ancient times and remained popular especially in Chinese mythology, and such mythical creatures were highly featured in the likes of ancient texts such as the The Classic of Mountains and Seas. For an example of a half-snake creature painted on a clay flask from the Yangshao culture, see Zehou Li and Lizeng Gong, The Path of Beauty: A Study of Chinese Aesthetics, Beijing, 1999, p. 21.