Women Artists

Yayoi Kusama (Japanese, b. 1929).Accompanied by original box.

Naoshima Red Pumpkin

Kim Gottlieb Walker (American, b. 1947).Printed 2023High-quality wood frame.

Joni Mitchell on the Verge of Tears, Isle of Wight

Yayoi Kusama (Japanese, b. 1929).This work is offered framed.

Butterfly

Coffee Cup

Yayoi Kusama (Japanese, b. 1929).Published by Benesse Holdings, Inc. Naoshima Japan.Accompanied by the original box.

Kusama Pumpkin

Analía Saban (Argentinian, b. 1980).This work is offered unframed.

Made in China

Yayoi Kusama (Japanese, b. 1929).Sold as a set of 2.Published by Benesse Holdings, Inc. Naoshima Japan.Accompanied by the original boxes.

Red and Yellow Pumpkins 

Jennifer Bartlett.Sold as a set of 2.

In the Garden 

Paige Neuhauser (American)Sold as a set of 3.W. 28, Broadway &amp; 28th, Great Jones #2 "The placement of color to define space and line&nbsp;is integral to my work. However, it is secondary in my search for pure composition—that which will withstand any combination of line or color." —Paige NeuhauserNeuhauser's ongoing exploration of photographic realism,&nbsp;the use of limited color and an interest in the development&nbsp;of the urban landscape form the basis of her work.&nbsp;Incorporating an appreciation of the built environment&nbsp;as well as a sense of cultural irony,&nbsp;she captures everyday contrast found&nbsp;between the purely utilitarian cityscape&nbsp;and the wit and exuberance of America. Neuhauser celebrates the form, tension and composition&nbsp;of beauty found within the often overlooked urban environment&nbsp;of our recent past.

Great Jones Alley Series

Kim Gottlieb Walker (American, b. 1947).Printed 2022.High-quality wood frame.

Jimi Hendrix 

Jerry Garcia Annenberg

Pink Floyd in the recording studio London

Kiki Smith (German-American, b. 1954).This work is offered unframed.

Regalo

Analia Saban (Argentinian, b. 1980).This work is offered unframed.

Thank You for Shopping Here! Plastic Bag

Yayoi Kusama (Japanese, b. 1929) Sold as a set of 2Accompanied by the original boxes

Kusama Pumpkins

Analia Saban (Argentinian-American, b. 1980).This work is offered unframed. Transcending Pigment from Paint to Canvas, from Canvas to Paint&nbsp;is an edition of 40 unique, mixed-media monoprints in which Saban continues to test the limits of printmaking. Each print is a work without paper. Similar to Saban's previous collaboration with The Lapis Press, this new edition uses layered, acrylic paint as a substitute for paper, but takes the process one step further by printing on paint as well as Belgian linen. Throughout history, pigment was added to a medium such as turpentine to create paint for its application on canvas. In this series, pigment is layered on top of a white layer of acrylic paint transforming what it means to add color to paint.&nbsp;Transcending Pigment&nbsp;includes four color compositions, each in two orientations. The color schemes are inspired by the printing process itself and refer to the 'color targets' that are used to test and calibrate ink and printer functionality. These targets were developed in the 1970's as color printing became more accessible, and the process needed to be uniform. As printing evolved the color targets became more sophisticated and are now used to determine the accuracy and calibration of pigment and ink. In&nbsp;Transcending Pigment, Saban synthesizes the history of pigment and paint making with the technological advances in printing.

Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #1, No. V

Transcending Pigment from Paint to Canvas, from Canvas to Paint (Color) #3, No. I

Dana Schutz (American, b. 1976).This work is offered unframed.

Backstroke

Jessica Stockholder (American, b. 1959). Stockholder is trained as both sculptor and painter, each discipline is well-represented in&nbsp;With Your Salad. Red plastic cooler, brushed aluminum wall sconce, neon extension cord and artistic folly meet in a riot of color, texture and light. While Stockholder credits a surrealist’s game of chance as the starting point for her work, she proceeds to masterfully weave an inspired web of flotsam and jetsam which she personalizes with a plastic splash of Tropicana Cabana and Lime Green. In the artist’s hands, the commonplace acquires heightened stature while the exotic gains parity with the ordinary. One man’s junk is another’s man’s treasure.

With Your Salad

Lita Albuquerque (American, b. 1946).This work is offered unframed.

Island Universes I

Judy Chicago (American, b. 1939).This work is offered unframed.

Mary Queen of Scots

Barbara Morgan (American, 1900-1992).Executed in 1935, printed later.Unframed.

Martha Graham,  Ekstasis

Allison V. Smith (American, b. 1970).One of a triptych.

Refinery Road (one of three)

Hayal Pozanti (Turkish, b. 1983).This work is offered unframed.

A Sacred Canopy

Elizabeth Murray (American, 1940-2007).Three-dimensional collage

Shack

Kiki Smith (American, b. 1949).This work is offered unframed.

Friend

Kiki Smith (American, b. 1954).This work is offered unframed.

Fortune

Marina Adams (American, b. 1960).This work is offered unframed.

Untitled 2

Carmen Herrera (Cuban-American, b. 1915).This work is offered unframed.

Island

Valérie Belin (French, b. 1964).This work is offered unframed. "This photograph has a hybrid nature which places the subject between the organic and the sublime. ...I have chosen flowers with a simple, precise outline used here for its purely graphic qualities, to create a sort of decorative vegetal framework with bouquets of flowers in which the woman's face is inscribed as part of a whole, as in wallpaper. The graphic text frames the portrait, its font corresponding to the curves of the lady's hair and the shapes of the petals. The phrase "Gang life" is a striking contrast to the elegance of the portrayed woman, whose appearance is perfectly in accordance with conventional aesthetic codes of the fifties. Merged with the floral pattern, comics seen on either side of the woman give the image a subtle tension. The result of the superimposition is a surprising image that evokes a particularly sophisticated form of overlay. This photograph has a hybrid nature which places the subject between the organic and the sublime. The Baroque style has also been an inspiration for me. I'm especially interested in flowers as imagery because to me, they're an ideal 'baroque pattern'."&nbsp;-Valérie Belin

White Narcissus in Orange (Colour Wonder)

Marina Abramović (Serbian, b. 1946).This work is offered unframed. "Art is not just about another beautiful painting that matches your dining room floor. Art has to be disturbing, art has to ask a question, art has to predict the future."-Marina&nbsp;Abramovic&nbsp;Marina Abramovic is a daring and charismatic performance artist, known for using her body as the subject and medium for raw and physically challenging performance pieces. Her work often engages and touches her audience in transcendental ways. Viewers often feel an exchange of energy or a sense that the artist is reaching into their souls.&nbsp;Chair for the Spirit Chair for Man&nbsp;is a poetic work on paper inspired by her 1997 interactive installation at MoMA's P.S.1 for the inauguration of their exhibition space. Abramović believed that a new house should have furniture for both spirits and humans. In honor of the new space, she created a spirit chair mounted high above the human chair in the gallery. Visitors were invited to take part in the installation by sitting in the human chair with the intention that this interaction would trigger their own physical or mental experiences.

Chair for the Spirit Chair for Man

Frances McLaughlin-Gill (American, 1919-2014). “I believe the physical effort of making a photograph, the virtuous ability, should not be revealed in the result.&nbsp;As with a professional dancer, whose hours of intensive practice in perfection of technique should not be&nbsp;apparent to the audience, the photographer should present to his or her audience the beauty and feeling, motion&nbsp;and emotion — not the technique.” —Frances McLaughlin Gill

Fiona Campbell, The Palace at Versailles, Paris

Lillian Bassman (American, 1917-2012).Printed later. “When I photograph a woman, I project what I’m not. What I would like to be.” —Lillian Bassman

Across the Restaurant at Le Grand Vefour, Barbara Mullen, Harper's Bazaar, Paris [Dress by Jacques Fath]

Mickalene Thomas (American, b. 1971). Informed by the classical genre of the female nude, Thomas blends historical painting with contemporary popular culture. Her depictions of African American women often explore a spectrum of black female beauty and sexual identity while constructing images of femininity and power. Custom wood frame with black finish and non-glare UV acrylic. This piece is final sale and not eligible for return.&nbsp;

Women Artists

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Yayoi Kusama

Kim Gottlieb Walker

Yayoi Kusama

Yayoi Kusama

Yayoi Kusama

Analia Saban

Yayoi Kusama

Jennifer Bartlett

Paige Neuhauser

Kim Gottlieb Walker

Kim Gottlieb Walker

Kim Gottlieb Walker

Kiki Smith

Analia Saban

Yayoi Kusama

Analia Saban

Analia Saban

Dana Schutz

Jessica Stockholder

Lita Albuquerque

Judy Chicago

Barbara Morgan

Allison V. Smith

Allison V. Smith

Allison V. Smith

Hayal Pozanti

Elizabeth Murray

Kiki Smith

Kiki Smith

Marina Adams

Carmen Herrera

Valérie Belin

Marina Abramović

Frances McLaughlin-Gill

Lillian Bassman

Mickalene Thomas